Showing posts with label The Underwater Welder. Show all posts
Showing posts with label The Underwater Welder. Show all posts

Thursday, December 27, 2012

2012 Graphic Novels of the Year

2012 was an epic year of comics reading for me.  In what was probably my most voracious year of reading ever, I managed to read a grand total of sixty-three graphic novels!  Definitely the most comics I've ever read in my life, and there was lots of quality too.  Picking out the titles for list was pretty tough, and there's a lot of great stuff that I read that won't get mentioned.  As always, there's a mix of the new and the not so new on the list here, that's just how I do it here at Battle Hymns.

2012 GRAPHIC NOVELS OF THE YEAR:



#5. Orc Stain: Take some incredibly detailed art, a crazy cast of characters, a hilarious plot, and a fantasy world where orc penis is the main currency, and you not only get the genius wonder-comic that is Orc Stain, but you also get the fifth best comic I read all year.

One glimpse of this comic which was written, illustrated, colored, lettered, and all that good stuff by the one-man comic machine that is James Stokoe and it's easy to see that you are holding something perfectly unique, and wonderfully creative.  There simply isn't anything else like Orc Stain.  Stokoe's art is stunning in it's level of detail, and it's beauty.  He just draws awesome stuff.  Orc Stain is also a hell of a lot of fun to read, as it is hilarious, and creative, and well written. Stokoe pretty much hit this one out of the park. This is an all around gem that will make your life more awesome.  Read it.


#4. King City: A couple years back I came across a couple single issues of King City and instantly fell in love with the art.  All twelve single issues were more or less impossible to track down at that point, so I resigned myself to waiting for the trade to come out.  And boy did it ever come out. When Image released King City, they collected all twelve issues in one thick volume and priced it at the bargain price of $20.

That's by far the best fucking deal you'll find on any shelf.

King City is another work of comics genius.  Brandon Graham, who is pretty much my comic creating hero of 2012, delivers the goods here as writer and artist. His story follows a "catmaster" who can do a number of amazing feats with his cat.  As per usual with Brandon Graham material, the story flows organically, the characters seem like people you know, and there's a heavy dose of puns.  Additionally, Graham makes this one of the more beautiful comics on the shelves with breathtaking art, pages you want to stare at for hours, and mini-games included right on the pages; a recipe for one phenomenal comic.  Just writing about King City makes me want to go grab it off my shelf again and read it.



#3. By This Shall You Know Him: It was the cosmic, geometrical, swirly, floaty art that initially drew me towards this comic, but it was the story and that drew me in.  Becoming fully engaged with both the art and the story of By This Shall You Know Him is a true pleasure and an experience that has stuck with me since I read it back in mid-October.

I've never read something quite like By This Shall You Know Him, and I sort of hope that I don't, as this comic felt like a wholly original piece of art.  I've never seen such layerd or textured illustration like this. Not to mention, the combination of art and writing evoked this really interesting cosmic feeling that you probably can't get without the use of drugs. This was one of my first indie-somewhat-underground-comic reads and I feel like I've been opened up a whole new world of wonder.  This is an absolutely unforgettable comic, an instant classic in my book.


#2. Skyscrapers of the Midwest: There's so much to love about this comic.  Like any top five graphic novel of the year, it has great art, and great writing.  That's a given, but the emotions artist/writer Joshua Cotter was able to evoke is what really impressed me with this graphic novel.

The highlights of such emotional evocation came when Joshua Cotter managed to perfectly capture so much of the experiences, emotions, and wild imaginings of childhood.  I was blown away with the numerous times where he perfectly captured and articulated complex childhood feelings; feelings that in some shape or form everyone experiences.  On top of that Cotter captures the awkward, the bizarre, the sad, the tradgic, the embarrassing, and also the hilariousness that comes with moving from childhood into adolescence.  This is flat out on impressive work of art, one that has stuck with me, and one that I've been recommending to anyone who's willing to listen.  I laughed, I cried, and I even wrote a fan e-mail to the writer/artist. (That should say something!) This is a comic I treasure.



#1. The Underwater Welder: If you know me, and know my comics tastes, then this probably won't come as much of a surprise.  Much like my Comics of the Year post, my most anticipated graphic novel became my most favorite graphic novel.

Jeff Lemire told me a year prior to this release that The Underwater Welder was shaping up to be the comics work of which he was most proud and I can see why.  Though he's responsible for some absolutely great comics, this one stands out as his best both in terms of art, and writing.  Lemire utilizes two distinct art styles here, which help to add to the emotional impact of the story.  As a monthly reader of his comic Sweet Tooth it was cool to see how Lemire adapted his art to a different story.

As usual with Lemire's work, his story is one that packs an emotional wallop, and I can definitely see that this is a story that I'll come back to at various stages of my life and gain new insights and experience different emotions each time I read it.  Any story that can be read over and over and offer new things each time is a treasure and Lemire has created one of my all-time favorite comics with The Underwater Welder.  Lemire is one of the very best writers of our generation and The Underwater Welder is his finest work yet.

Most Honorable Mention:

Batman Snow: Despite Batman Year 100 coming onto the scene later in the year, I gotta give the nod to Batman Snow as my favorite "mainstream" read of the year.  This one gets the edge because the story packed more of an emotional punch.  A great Mr. Freeze story, coupled with some ridiculously fun art.

Ghost World: This comic impressed me with it's cross-generational appeal and with the fact that it's a work that is a cultural touchstone.  It was also a great gateway drug for me towards reading more indie-comics.  It also provided a great look at how to masterfully intertwine art and writing so that the two seem indistinguishable from one another once into the flow of the narrative.


So there you go, my 2012 Graphic Novels of the Year.  A pretty amazing list of work.  There's some heavy hitters on there, and a couple of pleasant surprises.  All told, I had an awesome year of comics reading.  There's lots more good stuff unread on my shelves too, so next year should be equally great.

So, how about some outside input? What stuff did Battle Hymns readers read this year that you loved? Anything you'd like to see me cover? Chime in with comments!

Thursday, September 27, 2012

Graphic Novel Review: The Underwater Welder

Prior to it's release, Jeff Lemire's The Underwater Welder was probably my most anticipated release of the year.  Shit, I've been talking about it and thinking about it for over a year now.  Then it came out, and I flipped through it, drooled a bit over the art, showed if off to my lady, and proudly displayed it on my shelf next to all my other Jeff Lemire stuff.  When the next opportunity arose for some comic reading I passed it by, and did so again and again for a few weeks.

The reason for the delay was that Lost Dogs had just recently been re-released, and I had jumped at the first opportunity to read that when it came out. With The Underwater Welder coming out hot on it's heels, and Sweet Tooth nearing it's end I thought it would be a good idea to ration out my Jeff Lemire reads as much as possible.

Well, Then this guy went it reviewed it, which I'm not gonna lie, made me all jealous.  That coincided with a time where I just needed to read something guaranteed to be awesome, and lo and behold, there was The Underwater Welder just sitting there on my shelf waiting for me.  Problem solved.

The Underwater Welder follows Jack Joseph, an underwater welder who works on an oil rig just off the coast of Nova Scotia.  Jack and his wife are about to have their first child. The looming birth and the challenges of fatherhood have put Jack into a state of numbed detachment.  Lacking the ability to work through his stress, fears and anxiety, Jack retreats to the ocean depths.  Jack's diving into the depths is analogous to his pulling away from his wife and his unborn son.  However, as Jack dives, he experiences a supernatural occurrence that brings back long-buried memories of his own father, and gives him insight into his own life's path.

I've had the pleasure of reading damn near everything Jeff Lemire has put into print. With the exception of most of his DC comics work, I've read all of his independent, creator-owned comics work.  I've been very impressed with all his stuff so far.  I mean, the guy is easily one of my favorite comic creators.  Sweet Tooth stands out as probably my favorite monthly comic right now.  The guy is high, high on my list. So I was very happy to discover that The Underwater Welder is his very best work to date.

Courtesy:  http://jefflemire.blogspot.com/

When I chatted with Lemire at the 2011 Emerald City Comicon, he told me that Underwater Welder is the comics work he is most proud of, and after reading this, I can clearly see why.

Never before has Lemire's art looked this good. Sure, it's not for everyone, and I think Niall summed it up well when he referred to Lemire's art as an "acquired taste".  Though I like how Lemire's sometimes rough and sketchy art seems to channel raw emotion, I've talked to people who think he sucks.  Granted, "he sucks" was about the full extent of their argument, but nonetheless, it's an insight.  Anyway, I was impressed.  For my money, this is his best work with the pen and brush.

Lemire uses two distinct styles to tell his story here. There's his familiar ink line and jet-black india ink that dominated his early works such as Essex County and The Nobody.  I thought Lemire's line work when working in this style looked sharp and better than ever. It's impressive how much his skill has developed over the years.

Courtesy:  http://jefflemire.blogspot.com/

The second style Lemire uses is ink line with ink wash, which allows for a softer look and gives the story a variety of grey tones which Lemire often used to juxtapose the straight black and white art.  Flipping back through the book now as I write this review, it is interesting to see how Lemire transitioned between the two styles.  Sometimes this transition is sneakily smooth, and other times it is jarringly noticeable and geared to make an impact.  Not that he ever seems to have any problems delivering an emotional kick, but by using these two techniques, Lemire was able to create a lot of the emotional impact of the story, simply through the style of ink on the page.

If Jeff Lemire had a superpower, it would be the ability to make people break down and cry by using only pictures and words.  As I've experienced through his other works, Lemire manages to deliver a narrative that is written in such a way that the people, their lives and the events, are incredibly easy to understand and relate to.  Lemire always amazes me with his ability to clearly depict humans working through these basic, raw emotions that we all have, but are often unable to articulate or even comprehend.  It's kinda uncanny, but beautiful and heart-wrenching at the same time.

No matter how you look at it, The Underwater Welder is a powerhouse of a graphic novel.  Jeff Lemire is at the top of his game here.  His art has never looked better and his writing, plotting, and scripting is near perfect.  This is an impressive comic, and one that should be read by many.  You wont get punch-ups and tight underpants, but you will get a story about fathers and sons, death and birth, an exploration into the depths of reality.  I loved it, and I think you will too.

Grade: A+