Showing posts with label Seth Fisher. Show all posts
Showing posts with label Seth Fisher. Show all posts

Thursday, December 27, 2012

2012 Graphic Novels of the Year

2012 was an epic year of comics reading for me.  In what was probably my most voracious year of reading ever, I managed to read a grand total of sixty-three graphic novels!  Definitely the most comics I've ever read in my life, and there was lots of quality too.  Picking out the titles for list was pretty tough, and there's a lot of great stuff that I read that won't get mentioned.  As always, there's a mix of the new and the not so new on the list here, that's just how I do it here at Battle Hymns.

2012 GRAPHIC NOVELS OF THE YEAR:



#5. Orc Stain: Take some incredibly detailed art, a crazy cast of characters, a hilarious plot, and a fantasy world where orc penis is the main currency, and you not only get the genius wonder-comic that is Orc Stain, but you also get the fifth best comic I read all year.

One glimpse of this comic which was written, illustrated, colored, lettered, and all that good stuff by the one-man comic machine that is James Stokoe and it's easy to see that you are holding something perfectly unique, and wonderfully creative.  There simply isn't anything else like Orc Stain.  Stokoe's art is stunning in it's level of detail, and it's beauty.  He just draws awesome stuff.  Orc Stain is also a hell of a lot of fun to read, as it is hilarious, and creative, and well written. Stokoe pretty much hit this one out of the park. This is an all around gem that will make your life more awesome.  Read it.


#4. King City: A couple years back I came across a couple single issues of King City and instantly fell in love with the art.  All twelve single issues were more or less impossible to track down at that point, so I resigned myself to waiting for the trade to come out.  And boy did it ever come out. When Image released King City, they collected all twelve issues in one thick volume and priced it at the bargain price of $20.

That's by far the best fucking deal you'll find on any shelf.

King City is another work of comics genius.  Brandon Graham, who is pretty much my comic creating hero of 2012, delivers the goods here as writer and artist. His story follows a "catmaster" who can do a number of amazing feats with his cat.  As per usual with Brandon Graham material, the story flows organically, the characters seem like people you know, and there's a heavy dose of puns.  Additionally, Graham makes this one of the more beautiful comics on the shelves with breathtaking art, pages you want to stare at for hours, and mini-games included right on the pages; a recipe for one phenomenal comic.  Just writing about King City makes me want to go grab it off my shelf again and read it.



#3. By This Shall You Know Him: It was the cosmic, geometrical, swirly, floaty art that initially drew me towards this comic, but it was the story and that drew me in.  Becoming fully engaged with both the art and the story of By This Shall You Know Him is a true pleasure and an experience that has stuck with me since I read it back in mid-October.

I've never read something quite like By This Shall You Know Him, and I sort of hope that I don't, as this comic felt like a wholly original piece of art.  I've never seen such layerd or textured illustration like this. Not to mention, the combination of art and writing evoked this really interesting cosmic feeling that you probably can't get without the use of drugs. This was one of my first indie-somewhat-underground-comic reads and I feel like I've been opened up a whole new world of wonder.  This is an absolutely unforgettable comic, an instant classic in my book.


#2. Skyscrapers of the Midwest: There's so much to love about this comic.  Like any top five graphic novel of the year, it has great art, and great writing.  That's a given, but the emotions artist/writer Joshua Cotter was able to evoke is what really impressed me with this graphic novel.

The highlights of such emotional evocation came when Joshua Cotter managed to perfectly capture so much of the experiences, emotions, and wild imaginings of childhood.  I was blown away with the numerous times where he perfectly captured and articulated complex childhood feelings; feelings that in some shape or form everyone experiences.  On top of that Cotter captures the awkward, the bizarre, the sad, the tradgic, the embarrassing, and also the hilariousness that comes with moving from childhood into adolescence.  This is flat out on impressive work of art, one that has stuck with me, and one that I've been recommending to anyone who's willing to listen.  I laughed, I cried, and I even wrote a fan e-mail to the writer/artist. (That should say something!) This is a comic I treasure.



#1. The Underwater Welder: If you know me, and know my comics tastes, then this probably won't come as much of a surprise.  Much like my Comics of the Year post, my most anticipated graphic novel became my most favorite graphic novel.

Jeff Lemire told me a year prior to this release that The Underwater Welder was shaping up to be the comics work of which he was most proud and I can see why.  Though he's responsible for some absolutely great comics, this one stands out as his best both in terms of art, and writing.  Lemire utilizes two distinct art styles here, which help to add to the emotional impact of the story.  As a monthly reader of his comic Sweet Tooth it was cool to see how Lemire adapted his art to a different story.

As usual with Lemire's work, his story is one that packs an emotional wallop, and I can definitely see that this is a story that I'll come back to at various stages of my life and gain new insights and experience different emotions each time I read it.  Any story that can be read over and over and offer new things each time is a treasure and Lemire has created one of my all-time favorite comics with The Underwater Welder.  Lemire is one of the very best writers of our generation and The Underwater Welder is his finest work yet.

Most Honorable Mention:

Batman Snow: Despite Batman Year 100 coming onto the scene later in the year, I gotta give the nod to Batman Snow as my favorite "mainstream" read of the year.  This one gets the edge because the story packed more of an emotional punch.  A great Mr. Freeze story, coupled with some ridiculously fun art.

Ghost World: This comic impressed me with it's cross-generational appeal and with the fact that it's a work that is a cultural touchstone.  It was also a great gateway drug for me towards reading more indie-comics.  It also provided a great look at how to masterfully intertwine art and writing so that the two seem indistinguishable from one another once into the flow of the narrative.


So there you go, my 2012 Graphic Novels of the Year.  A pretty amazing list of work.  There's some heavy hitters on there, and a couple of pleasant surprises.  All told, I had an awesome year of comics reading.  There's lots more good stuff unread on my shelves too, so next year should be equally great.

So, how about some outside input? What stuff did Battle Hymns readers read this year that you loved? Anything you'd like to see me cover? Chime in with comments!

Monday, July 23, 2012

Graphic Novel Review: Batman-Snow

Snow is a Batman story set during the dawn of Batman's career, and the Caped Crusader is feeling a little bit overwhelmed with the task of safeguarding Gotham City.  To help aid his war on crime, Batman puts together a team of specialists to help him.  These clandestine allies, recruited for their skills in electronic gadgetry, research, crime scene investigation, recon, and tactics, are supposed to help Batman do his job more efficiently, but will they be enough when Batman squares off against his first super-powered villain?

Snow is not only a retelling of Batman's early days, but also gives a new look at the origin of Mr. Freeze.  This story thread follows a brilliant scientist, Dr. Fries, who has been developing a new cryo-technology.  However, his beloved wife is terminally ill, and his attempts to save her using his new, and unproven technology goes tragically wrong.  This might sound like origin story ground that has been covered over and over, but the writing team of Dan Curtis Johnson and J.H. Williams III infuse this origin tale with a soft touch that makes it feel all too real and altogether heart-wrenchingly tragic.  I felt legitimately sad when all the pieces of this origin story came together.  The way they depict Fries' mental unraveling is quite impressive as well.

Overall, I found the story to be one of the best, if not the very best Batman story I've ever read.  A big reason is that the character of Batman is still very human and easy to relate to.

Nowadays, writers like to have Batman as this incredibly hardcore, intense, ultra organized, high-tech, crime fighting bad ass.  That's all well and good, and fun to read, but the Batman in Snow is still very much a still-learning-the ropes crime fighter who is learning how to best go about his business on the fly.  He isn't great buds with Jim Gordon yet, the D.A. doesn't fully trust him, and his whole operation has a very homespun feel to it.

This is a Batman that takes an occasional whoopin', the occasional fall, and the occasional gunshot wound from low-life criminals.  All this comes together to make this version of Batman a lot of fun to read, because he isn't gonna be perfect and he is gonna make mistakes...plus, perfect is boring anyway.

In addition to what is some really great writing is the wonderful artwork of Seth Fisher.  Sadly, Seth Fisher is no longer with us, but his amazing talent lives on in this work and some other DC projects.  Fisher's art style is not what you typically see on superhero books, let alone a Bat-title, but his art here is nothing short of fantastic.  His style is hard to put a finger on but I'd say his stuff reminds me a bit of Frank Quitely but there's other influences mixed in there that I can't totally put my finger on.  I could see how some fans might not like his Batman character design, who is not exactly rippling with muscles or rocking facial features that appear chiseled out of granite, but that all serves to make the character seem more human.

I really enjoyed how Fisher chose to depict the story in such a way that can only be achieved via the comics medium.  Take the above picture, which depicts a cut-away, top down view of Batman's highly cluttered, and disorganized home/batcave. A picture is truly worth a thousand words here as you can tell just from this how Batman is still in the early stages of his crime fighting career, and running a low-tech, "home-brew" style operation.  Not to mention, the cut-away allows the reader to see so much more than you could get in any other story telling medium, allow while being details the reader takes in peripherally and tacitly.  There are many other moments too where Fisher shows the story in such a way that can only be achieved in comics.

Not one to sit on his laurels, Fisher is also capable of delivering some great action and motion art.  He can deliver a great cinematic feel to these moments and create that larger-than-life feel, yet never making things seem too over the top or cheesy.

This is personal thing that I'm a fan of and maybe of no interest to other folks, but I love it when artists draw in their own sound effects and make them part of the art. It's sorta a thing that has gone away in this age of photoshop, as most sound effects are added in during the final stages of comic production, but not so here.  Fisher does his own, and they are a great blend of spot on perfect for the moment, and down-right silly.  I was a fan.

As I said earlier, this is probably the best Batman story I've ever read.  This one has that much sought after combo of great writing and great art that combine to work extremely well together.  The story you get is quite good, and even provides some touching and tragic moments.  Not your standard superhero fare, just a story that is about 100 notches above the standard.  So, yeah, highly recommended, and one of the best graphic novels I've read so far this year.

Grade: A+