Comic Quickies:

Mystery Society TPB: I read this one a few weeks back, and have just barely enough thoughts about it to give it a review.  Granted, not enough thoughts for a full review, but enough to warrant an appearance here on Comic Quickies.

Mystery Society is another item from my comics club haul, and another title that I likely would have passed over otherwise.  This one follows a rich husband and wife team who pull off clandestine operations in the name of good for all mankind. When we meet said couple, the dude, Nick Hammond, is on a mission in Area 51 attempting to recruit some new agents for their organization. What you get is a bunch of ninja/James Bond style action, and some semi-exciting thrills.  This one reminded me of Umbrella Academy and a little bit of Planetary, but in the cheap knock-off sort of way.  Not really a good thing.

The interesting tid-bit here is that it features art by one of my new favorite comic artists, Fiona Staples, who has been killing it on Saga lately.  Her art here is from about two years ago, and while her work in Mystery Society is quite good, I will definitely say that she has experienced improvement.

Overall, this was entertaining, but not overly impressive.

Godzilla Half-Century War #1 of 5: Buying this comic was a no-brainer.  It was written and drawn by James Stokoe, a guy that blew me away with his work on Orc Stain.  Apparently, Stokoe is a huge Godzilla fan, and getting to make a Godzilla comic is basically a dream come true for the guy.

Well, all that shows because this is one incredibly entertaining and engaging first issue.  It starts with Godzilla majorly fucking shit up in Tokyo as one tank commander, Ota Murakami, attempts to deal a bit of damage to the beast while saving the lives of innocent civilians.  Along with his tank operator, Kentaro, the two become the only effective means of limiting the damage and death that Godzilla lays down.

Sure, it's kinda a standard way of starting out a Godzilla comic, but Stokoe does a great job of introducing the primary characters and delivering some absolutely awesome Godzilla action.  Most importantly, the action is great, and as I've come to expect from Stokoe, the art is absolutely fantastic.  Moving forward, this looks to be a really great mini-series, and I'll be eagerly anticipating each of these issues.

Blue Estate #12: Sure it's been a while between issues, but I'm always willing to wait for an issue of Blue Estate simply because it is always awesome, and easily one of my favorite reads of the week.

This 12th issue wraps up "Season One", or what is basically the first major story line of the series. All the story threads that have been building and building over the past eleven issues pay off here, and the conclusion is pretty damn entertaining.  There's a great combination of shocking and hilarious moments that play out in this issue, and I'm glad that Kalvachev was able to pull it all together for an awesome finale.

Blue Estate is definitely one of my favorite comic series, and it's one that I highly recommend.  Each issue has been a great blend of hilarity, action, and wild plot development.  This comic is definitely one that will keep the reader on his or her toes and leave you wanting more.  I'm not totally positive that there are more issues of Blue Estate planned after this, but my fingers are crossed that there will be more of this amazing comic to come in the very near future.  As far as crime comics go, or any kind of comic for that matter, this is one of the best.

Batman #12: Well, we've reached the one-year mark with all these new DC titles, and after starting out reading seven of the new fifty-two comics, I've whittled that list down to a paltry two titles.  One of those that's still left kicking after all this time is Batman.

Truth be told, Batman has been just barely hanging in there as I've been a bit bored with the whole "Court of the Owls" story line.  Give me some classic bat-villains damn it!  The Owl business was a bit too trumped up for my tastes. That being said, this 12th issue was quite good...probably because there was no sign of any Owl garbage, and the art was done by Becky Cloonan, who totally rocked it.

What this issue did have was a sort of back to the roots approach that was told through the point of view of Harper Row, a Gotham City electrician who is intent on helping the Batman do his crime fighting thing in her own little way.  Harper essentially figures out how Batman controls the CCTV cameras throughout the city while he is doing his thing, and tries to do the Caped Crusader a solid by bolstering his system.  Her plan, though filled with good intentions, backfires with nearly deadly consequences.

Sure, this issue didn't have great over-arching plots and all that, but it was cool to see Batman through the eyes of a regular Gothamite.  Not to mention, the writing and art were much better than usual here too.  My hope is that the whole "Court of the Owls" business is behind us, and moving on Snyder can deliver more compelling Batman stories.

Spotlight on Blue Estate

I wanna take some time and tell you all a little bit about one of my favorite comics of the moment, Blue Estate.  I've mentioned this comic a total of two times here at the blog, which frankly, doesn't do the comic justice.  Not even close.

Most recently, I lauded Blue Estate as a runner up to my favorite comics of the year, calling it "crafty, twisty crime writing at its finest". However, prior to that, Blue Estate garnered only one other mention, waaaaaay back in April when the first issue came out, and the best platitude I could muster back then was "pretty solid".

So how did Blue Estate go from pretty solid to the lofty ranks of a Battle Hymns "best of" runner up award?  Well, surprisingly the recipe for success is quite simple.

Blue Estate has done one crucial thing that has moved me from "pretty solid" to being one of my most favorite comics: it just gets better and better with each subsequent issue.  The first volume, which collects the first four issues is a great read, but personally, I got completely sucked in by the 5th-8th issues. Everything awesome about Blue Estate got more awesome in these issues, and when things get completely ratcheted up like that, I get really excited.

Allow me to highlight some of the awesomeness...

As each issue comes along, I've gotten to know each character a bit better. I discover bits about their past, their motivations, and how they are interconnected with the other characters that populate the series.  In Blue Estate, you get a lot of what at the surface might seem like familiar crime story cliches;  There's a troubled starlet, a Russian mafioso, Italian mobsters, private eyes, detectives, strippers, and so on.  However, these characters are in no way caricatures of things you've seen before.  These characters are becoming increasingly fleshed out, and developed so that, while they have an air of familiarity, these "standbys" of the crime genre are being taken in new and interesting directions.

I know I might be mixing my story telling mediums a bit here, but the best comparison I can make, and probably the highest praise I can heap on, is that the characters in Blue Estate remind me a lot of George R.R. Martin's characters from A Song of Ice and Fire in the sense that there's some I love, some I hate, some that I love to hate, some that are pure entertainment to read, and others who I started out not liking and now like, and vice-versa.  Most importantly, like I do with ASoIaF, when certain characters aren't in a particular issue, I miss them.  With such well crafted characters at the core of the series, I find myself pining away between issues.

Putting my emotions aside for a moment, there is one other key element of awesomeness I want to point out, and that is the plotting.  Simply put, Blue Estate has some of the most insanely intricate plotting I've seen. I'll be the first to admit, I pretty much have no idea where this story is going. But you know what?  That's fine with me because I've developed a lot of faith in the writing of Viktor Kalvachev and Kosta Yanev and the scripting by Andrew Osborne.  As the story progresses there's been conclusions to scenes, and story lines that have knocked my socks off with the way they are concluded not only with crafty writing, but with a sense of humor, and a large degree of style.  The "style" factor is hard to put into words, but it makes its mark in the atmosphere, the dialog, and the art.

Furthermore, the writers have pulled off a fantastic, magician-like performance in terms of keeping things hidden, keeping me guessing, and delivering little clues along the way that deceive, hint and enthrall.  These factors add up, and give me faith that there's great things to come for this series.  There's no doubt that there's some hidden agendas I know nothing about, and I can't wait to see where things go.

I should also add that back in April, when I discussed the first issue, I wasn't completely in love with the rotating art duties.  I've since come to terms with it, and frankly have no problems with it at this point.  I think as I've become accustomed to the story and the characters, the changing art styles feels like second nature at this point, and has become yet another unique and endearing quality of Blue Estate.

I hope some of you give Blue Estate a shot, so we can talk about it here, and give the dudes at the comic shop a rest from my monthly rave-sessions.  The first two volumes are out now (or will be by tomorrow 1/11), so this is a great time to check out an awesome series.

Grade so far (Issues 1-8): A

2011 Comics of the Year

TOP 5 COMIC SERIES of the YEAR:


In a year where I was still finding my feet in the comics medium, discovering what I like, and don't like, the battle for the Top 5 Comic Series of the Year had some stiff competition.  Last year I only featured two titles in what was a tie for my top comic, but this year I read way more titles, and it wouldn't be fair to only cover one title, so this year I'm giving you seven!  Damn, I'm nice.  With last year's co-winners Sweet Tooth and Chew still cranking out issues on a monthly basis, will any fresh contenders be able to unseat the champs? (I'll give you a hint, one of them slipped completely out of the rankings all together...) What am I waiting for?  Let's find out!

#5.  Rocketeer Adventures:  This title was an absolute blast.  Basically, a bunch of the industry's best writers and artists got together and cranked out a bunch of short comics and gorgeous pin-up tributes to Dave Steven's Rocketeer.

Each issue of this four issue mini featured some of the best comics creators in the business. The first issue was pretty astounding, but with each issue, there seemed to be a theme of each creator trying to out-do the others.  The result is some absolutely wonderful comics that offer a wide variety of Rocketeer action.  High caliber writing and art is pretty much standard across the board in this Top 5 list, but Rocketeer Adventures offers more variety and plenty of bang for your buck.

Probably my favorite comics moment of the year came when I discovered Geoff Darrow's lovely double-page spread pin-up.  Jaw Droppingly awesome.

#4. Batwoman: In case you've been living under a giant rock all year long, you know by now that DC relaunched all it's titles and started all their shit over at #1.  This provided me with the opportunity to jump onto a bunch of their titles that looked worthy my attention.  Out of the 52 titles they released, I deemed 7 of them worthy of my time and money.  Of those 7, only one gets the glory of being a Battle Hymns Top 5 comic of 2011. That title is, of course, Batwoman.

Batwoman doesn't spend her time battling classic villains like her compatriot Batman, but she seems to have carved out her niche in Gotham's caped and cowled crime fighting community: the supernatural.  In her most recent adventures she finds herself up against a ghostly child stealing wraith; with lots of personal and professional distractions going on amid all the action.  The writing is solid, Kate Kane's sexuality is maturely handled, and issue after issue, this seems to get better and better.  Oh, and the art?  J.H. Williams III is at the top of his game.  Absolutely beautiful work.

#3. The Sixth Gun: I love westerns, and I love fantasy so it should come as no surprise that I love The Sixth Gun, because those two elements have never been so wonderfully intertwined.

Sometimes I feel like the creators, Cullen Bunn and Brian Hurtt had me in mind when they came up with this concept, because it is very much geared to my tastes. I've been loving this title since issue #1 and have gladly been hooked for the whole journey so far.

The most recent story arc, Crossroads has been extremely entertaining and full of tense, shocking moments.  This comic is pretty much guaranteed to deliver engaging characters, fun western-style action like train hijackings, and crazy supernatural moments like re-animated evil spirits each and every month.  The art seems to just be getting better each go-around too, so there you go.  All around awesomeness.

#2. The Intrepids: The Top 5 list would be sadly incomplete if I failed to mention the awesomeness that is The Intrepids.

Mad science, a tech-ed up teen team battling crazy creations like cyber bears, battle baboons, and robo-squids are all involved in this crazy fun, crazy awesome 5 issue mini series.

Series creators Kurtis Wiebe and Scott Kowalchuk definitely delivered the goods here.  The writing by Wiebe is fantastic, and he delivers action, drama, tension and jokes with equal aplomb.  Kowalchuk's art is some of my favorite from the year.  He draws mad-science creations extremely well, and makes them look incredible...oh, and the rest of his art is great too, but those mad science creations...*sigh*

What astounded me the most about The Intrepids is that the story delivered on multiple fronts, and even packed in some emotional moments, and still managed to be the most fun comic to read on the shelves.

If you still haven't checked this title out, do so immediately.


#1. Sweet Tooth:  You're still the one Sweet Tooth.

Impressively, despite some stiff competition, Sweet Tooth manages to find itself at the top of the heap once again, and really, it was an easy decision to put it at number one once again.  The reason is simple: Sweet Tooth gets better with each issue.  Not only that, but writer/artist, Jeff Lemire continues to explore new ways of telling the story, and by doing so, stretches the boundaries of the comics medium.

Not only is this my favorite on going comic, but it is steadily creeping up the list and becoming one of my favorite all time stories, period.

For as much as I think, discuss, and gush on and on about this series, I still have almost no idea how this will all turn out.  So much of the bigger picture is still shrouded in mystery, but Lemire has done an excellent job off hiding his cards and slowly revealing them one at a time.  I can't wait to see what the next year of Sweet Tooth will bring.

Runners Up:


Who is Jake Ellis?: Wonderful action packed espionage thriller.  Great writing, satisfying ending to the series, and really cool art.

Blue Estate: A seedy Hollywood crime story with plenty of ins and outs.  Crafty, twisty crime writing at it's finest.


BEST SINGLE ISSUE of the YEAR:

Who is Jake Ellis? #1: In a year where I read more comics than I ever have in my entire life, one issue stands out from the crowd, and that is Who is Jake Ellis? #1. When I read it, I felt like I was reading something completely new and unique, which is very rare these days.  Both the writing and the art had a very fresh feel to them.

This issue pretty much did everything perfect.  The writing by Nathan Edmondson was captivating, it introduced the primary characters, set up the plot, and delivered some great action and chase scenes.  The art by Tonci Zonjic has an incredible vibe and personality that gave the series a signature style that is one of a kind.

This issue pretty much stormed the gates... and the whole damn castle fell with the following issues.  In a year bulging with "#1" issues, this one easily takes the cake.

Runner Up: The Intrepids #1: I've got two words for you: Cyber Bear.

Welp, there you go, my favorite comics from the year.  Are there titles I completely overlooked?  What were your favorite comics from the year?

Comic Quickies Debut Triple Threat

Nonplayer #1: Despite being up against some tough competition in the debut department, Nonplayer stands out as my favorite.  In fact, I pretty much fell in love with this one from the first page.  Nonplayer begins in the MMORPG world of Jarvath where a virtual assassination is strangely met with life-like response.  From the looks of things, the lines between reality and virtual reality are going to get pretty blurry in this futuristic fantasy tale.

 The first, and most striking quality of Nonplayer is the absolutely gorgeous art.  I may be a bit of a comic newbie, but Nate Simpson's artwork is hands down the most beautiful comic art I've ever laid eyes on.  Every panel of every page is filled with meticulously detailed and imaginative art, and it is truly an awesome sight to behold.  That being said, the artwork isn't the only strength of Nonplayer.

This debut issue sports some great writing as well.  The opening half of the issue builds up to, and delivers a great action sequence.  From there, we catch a glimpse into the regular everyday life of the main character, and Simpson adds some nice touches, some that are rather subtle,  that make her easy to relate to on a human level.  After watching her do some epic ninja shit in the opening half, it was good to see the normal side of her. I thought the character building was deftly handled. 

On top of the strong character building, Simpson also managed to fit in world building both on the virtual, and non-virtual worlds that his comic features.  It might sound like a packed issue, and it is, but it doesn't seem crammed at all.  By the end, I immediately wanted to read the next issue.  A sure sign of a winner.

Green Wake #1:  Up next in this debut studded Comic Quickies, is the crime noir title, Green Wake.  This one starts out with a gristly murder, and a missing suspect.  The mystery element of this comic hits on three levels.  The first is the murder mystery itself, which is looking to be pretty interesting.  The second is the town of Green Wake itself, that seems to be some sort of lodestone for the decrepit and the lonely.  The third is the main character, Morley Mack, who seems to have a pretty mysterious past.  All these elements play nicely together to make for a damn interesting story.

After reading this one, I feel like I have basically no idea what is going on, but that sense of feeling lost is tampered with the fact that as I read I got the sense that this comic is gonna have a great slow-burn pace to it, and that everything will eventually unfold in good time.

Kurtis J. Wiebe's writing is dark and gritty, and Riley Rossmo's art fits the feel of the comic perfectly.  I'm very excited to see where this one is leading.  

Blue Estate #1: Another crime/mystery story here, but with a totally different feel.  Blue Estate takes place in Hollywood, and has a bit of Hollywood-ized crime feel to it.  The majority of the issue is back story that sets up what will be the conflict for the series.  As with Green Wake, I feel a little bit lost in the early stages of this one, but there are plenty of cool elements (drugs, starlets, ex-KGB agents, money laundering, etc.) at play to make this one worth reading.

I had a bit of a hard time getting into this one because of the art.  The problem was that the issue featured four different artists, each with a different style, and for me it broke up the flow of the story a bit.  There were times when a character would not look quite the same as he or she had earlier in the book, and I had to double check to make sure it was the same person.  Those types of things took me out of the flow a little bit, and took away from the enjoyment.  I'm not sure if the multi-artist approach is gonna continue throughout the series, or if that is a one issue type deal.

Still, a pretty solid comic, and one that I'm looking forward to seeing more of in the future.