Showing posts with label Joshua W. Cotter. Show all posts
Showing posts with label Joshua W. Cotter. Show all posts

Thursday, December 27, 2012

2012 Graphic Novels of the Year

2012 was an epic year of comics reading for me.  In what was probably my most voracious year of reading ever, I managed to read a grand total of sixty-three graphic novels!  Definitely the most comics I've ever read in my life, and there was lots of quality too.  Picking out the titles for list was pretty tough, and there's a lot of great stuff that I read that won't get mentioned.  As always, there's a mix of the new and the not so new on the list here, that's just how I do it here at Battle Hymns.

2012 GRAPHIC NOVELS OF THE YEAR:



#5. Orc Stain: Take some incredibly detailed art, a crazy cast of characters, a hilarious plot, and a fantasy world where orc penis is the main currency, and you not only get the genius wonder-comic that is Orc Stain, but you also get the fifth best comic I read all year.

One glimpse of this comic which was written, illustrated, colored, lettered, and all that good stuff by the one-man comic machine that is James Stokoe and it's easy to see that you are holding something perfectly unique, and wonderfully creative.  There simply isn't anything else like Orc Stain.  Stokoe's art is stunning in it's level of detail, and it's beauty.  He just draws awesome stuff.  Orc Stain is also a hell of a lot of fun to read, as it is hilarious, and creative, and well written. Stokoe pretty much hit this one out of the park. This is an all around gem that will make your life more awesome.  Read it.


#4. King City: A couple years back I came across a couple single issues of King City and instantly fell in love with the art.  All twelve single issues were more or less impossible to track down at that point, so I resigned myself to waiting for the trade to come out.  And boy did it ever come out. When Image released King City, they collected all twelve issues in one thick volume and priced it at the bargain price of $20.

That's by far the best fucking deal you'll find on any shelf.

King City is another work of comics genius.  Brandon Graham, who is pretty much my comic creating hero of 2012, delivers the goods here as writer and artist. His story follows a "catmaster" who can do a number of amazing feats with his cat.  As per usual with Brandon Graham material, the story flows organically, the characters seem like people you know, and there's a heavy dose of puns.  Additionally, Graham makes this one of the more beautiful comics on the shelves with breathtaking art, pages you want to stare at for hours, and mini-games included right on the pages; a recipe for one phenomenal comic.  Just writing about King City makes me want to go grab it off my shelf again and read it.



#3. By This Shall You Know Him: It was the cosmic, geometrical, swirly, floaty art that initially drew me towards this comic, but it was the story and that drew me in.  Becoming fully engaged with both the art and the story of By This Shall You Know Him is a true pleasure and an experience that has stuck with me since I read it back in mid-October.

I've never read something quite like By This Shall You Know Him, and I sort of hope that I don't, as this comic felt like a wholly original piece of art.  I've never seen such layerd or textured illustration like this. Not to mention, the combination of art and writing evoked this really interesting cosmic feeling that you probably can't get without the use of drugs. This was one of my first indie-somewhat-underground-comic reads and I feel like I've been opened up a whole new world of wonder.  This is an absolutely unforgettable comic, an instant classic in my book.


#2. Skyscrapers of the Midwest: There's so much to love about this comic.  Like any top five graphic novel of the year, it has great art, and great writing.  That's a given, but the emotions artist/writer Joshua Cotter was able to evoke is what really impressed me with this graphic novel.

The highlights of such emotional evocation came when Joshua Cotter managed to perfectly capture so much of the experiences, emotions, and wild imaginings of childhood.  I was blown away with the numerous times where he perfectly captured and articulated complex childhood feelings; feelings that in some shape or form everyone experiences.  On top of that Cotter captures the awkward, the bizarre, the sad, the tradgic, the embarrassing, and also the hilariousness that comes with moving from childhood into adolescence.  This is flat out on impressive work of art, one that has stuck with me, and one that I've been recommending to anyone who's willing to listen.  I laughed, I cried, and I even wrote a fan e-mail to the writer/artist. (That should say something!) This is a comic I treasure.



#1. The Underwater Welder: If you know me, and know my comics tastes, then this probably won't come as much of a surprise.  Much like my Comics of the Year post, my most anticipated graphic novel became my most favorite graphic novel.

Jeff Lemire told me a year prior to this release that The Underwater Welder was shaping up to be the comics work of which he was most proud and I can see why.  Though he's responsible for some absolutely great comics, this one stands out as his best both in terms of art, and writing.  Lemire utilizes two distinct art styles here, which help to add to the emotional impact of the story.  As a monthly reader of his comic Sweet Tooth it was cool to see how Lemire adapted his art to a different story.

As usual with Lemire's work, his story is one that packs an emotional wallop, and I can definitely see that this is a story that I'll come back to at various stages of my life and gain new insights and experience different emotions each time I read it.  Any story that can be read over and over and offer new things each time is a treasure and Lemire has created one of my all-time favorite comics with The Underwater Welder.  Lemire is one of the very best writers of our generation and The Underwater Welder is his finest work yet.

Most Honorable Mention:

Batman Snow: Despite Batman Year 100 coming onto the scene later in the year, I gotta give the nod to Batman Snow as my favorite "mainstream" read of the year.  This one gets the edge because the story packed more of an emotional punch.  A great Mr. Freeze story, coupled with some ridiculously fun art.

Ghost World: This comic impressed me with it's cross-generational appeal and with the fact that it's a work that is a cultural touchstone.  It was also a great gateway drug for me towards reading more indie-comics.  It also provided a great look at how to masterfully intertwine art and writing so that the two seem indistinguishable from one another once into the flow of the narrative.


So there you go, my 2012 Graphic Novels of the Year.  A pretty amazing list of work.  There's some heavy hitters on there, and a couple of pleasant surprises.  All told, I had an awesome year of comics reading.  There's lots more good stuff unread on my shelves too, so next year should be equally great.

So, how about some outside input? What stuff did Battle Hymns readers read this year that you loved? Anything you'd like to see me cover? Chime in with comments!

Sunday, October 14, 2012

Graphic Novel Review: Skyscrapers of the Midwest

I'm not gonna string you along, or make you wait until the end of the review to tell you this: Skyscrapers of the Midwest is one brilliant-ass graphic novel.  It is one of the most interesting things I've ever had the pleasure to read.  The story follows a young anthropomorphic cat who is staring down adolescence, but is reluctant to leave his boyhood and his well-loved toys behind.

Yeah, that's pretty much it, but this is a tale that winds it's way around a bunch of other topics as it makes it's way to the finish.  In between you get a segmented story about a run-away robot, a vignette or two about what it is like to be in your twenties and already feel trapped in a life you can barely tolerate, as well as a cowboy advice column, cigarette ads, a recipe for cherry pie, and plenty more.

Just as this graphic novel covers a wide variey of topics and subject matter,  Skyscrapers of the Midwest is one of those graphic novels that runs the gamut of emotional highs and lows.  There were many times where this book had me laughing out loud.  Embarrassingly, my biggest laughter outburst happened on the bus...yes, it was a shit joke that caused me to nearly fall out of my seat. Why is that kind of stuff way funnier on the bus?

This graphic novel has some sad, melancholy moments as well.  As the main character goes about his life it is hard to not feel for the guy as he moves from one childhood trauma or disappointment to the next.

One moment that really stands out for me was when his mother gave him this awesome robot backpack for his birthday.  The kid loved the backpack, but knew that it would cause him to be the recipient of bullying and playground ridicule if he kept it.  So he did the only thing he could do in the situation; he told his mom he didn't want it, and asked her to return it.  The thing is the mom knows he likes it, knows he wants to keep it, but also understands why he can't keep it. That awkward moment of childhood disappointment was so incredibly poignant to me that I was nearly blown away.  I don't know how many times I lived that experience as a child, but I'd never been able to fully process what that all meant until I read this scene.  It's not often that I ever get to have a moment of spot-on, perfect shared experiences and shared emotion, but I got there here with a cartoon cat...fucking impressive.

As much as this graphic novel allows the reader to laugh at the hilariously tragic moments of childhood, and shed a tear or two at the truly sad parts, Skyscrapers of the Midwest is also an awesome, awesome ode to the wonders of childhood.  The artist/writer, Joshua W. Cotter achieves this by mixing in all these amazing flights of fantasy that are part of a child's brilliant imagination.  The very first scene of the graphic novel shows the main character envisioning the kids that just excluded him from a game of kickball getting squished and stomped by a rampaging giant robot.  Only after those kids are roadkill does he then imagine himself turning into a robot who not only saves the day, but gets the girls.

Later, when the unnamed protagonist is the unwitting recipient of a tongue-lashing from the girl that he likes, he works his way through the mental grief in a hilarious homemade comic starring his robot-hero/alter-ego Nova Stealth.


These moments were not only somewhat sad, somewhat funny, and fun to read, but they totally made me feel like Cotter had eerie insight into the inner workings of my childhood mind.  Cotter makes similar connections with the reader over and over throughout this graphic novel.  It's an incredible skill to be able to create something that can resonate so strongly.

Skyscrapers of the Midwest is a one of a kind comic that manages to dabble in a bunch of topics, delve deep into others, provide a few oddball moments, and even provide a hefty dose of laughs.  It's a graphic novel that is incredibly genuine, and has a heart.  It's also quite pretty to look at.

Cotter displays a number of styles here, but his primary style reminded me a bit of R. Crumb's scratchy, cross-hatched line work.  That might come off as sounding like a rough and scruffy style, but it actually looks quite good.  Things look like they have texture and depth and weight to them in Skyscrapers.  This style allowed Cotter's art to deliver a lot of the emotional impact required of the story.

The guy isn't a one trick pony either.  There was a section of the story where he does spoofs of many popular syndicated comic strips, mimicking not only the art style of the comic strip, but also the comic strip's style of humor.  In other sections of the book Cotter uses a clean ink-line style too.  In the end, Cotter proves to be just as nimble with his artistic style as he is with his story-telling skills.

As I said in the opening paragraph, this is fantastic graphic novel.  The only other thing I've read so far this year in the comics medium that rivals it is Underwater Welder and King City.  Both of those are brilliant comics, and Skyscrapers of the Midwest has the power to hang with them both.  This is one of those reads that has stuck with me ever since I read it.  Skyscrapers of the Midwest is a comic that should be read and enjoyed by many. This one comes to you Highly Recommended.  

Grade: A+