I was sitting through a three hour lecture the other day, and a point in time came where I had eaten all the snacks I had brought, doodled all over an entire page of notes, and gotten up to "pee" a.k.a. escape the drudgery, three times. Desperate to do something, anything, other than actually paying attention, I decided to make a list of my favorite bands. Then, inspiration struck: turn the list into a blog post! Everybody likes lists right? Well, I do, and I know at least one other blogger who is a fan of the lists, so here it comes. The OFFICIAL Battle Hymns top 10 bands, complete with my favorite song from each band the the three albums that are most essential to my collection....
#10. IRON MAIDEN: What? Iron Maiden in the ten spot? I know blasphemy right? Well, make no mistake, I love this band, but I uh, ahem, only own three of their albums. Yeah, I realize I may have just lost some cool points, but I own the three most awesome Iron Maiden albums, The Number of the Beast, Powerslave, and Piece of Mind. The strength of those three albums raises them above so many other bands in my music collection. Each and every song on those three albums are essential Iron Maiden songs, and I habitually name my fantasy baseball and fantasy football teams after Iron Maiden song titles.
Favorite Song: Flight of Icarus
Essential Albums: Take a guess...
#9. THE DOORS: Hey-oh! Another shocker right out the gate, a classic rock band! The Doors are one of those bands that people either seem to love or hate. I happen to fall into the love category. Do I know the lyrics to over 90% of their catalog? Yes I do. Do I tend to sing along with said 90% of songs whenever I hear them? Also a yes. By the way, I can't sing for shit. The fact that this is one of the only bands both myself and my lady both like means they get a lot of air time on road trips. The only two albums I haven't gotten totally into are Soft Parade and Strange Days. The rest of their stuff from '67 to '71 is gold.
Favorite Song: Maggie M'Gill
Essential Albums: Waiting for the Sun, Morrison Hotel, The Doors
#8. TOOL: These dudes have been covered pretty extensively around here, but Tool still deserves to make it on this list. They are an amazing band both technically amazing, and lyrically astounding. Tool is one of those bands that seem to have a wide appeal. However, my tastes with Tool haven't exactly evolved along with the band. My favorite Tool album is their EP release, Opiate. However, from there my tastes and their style seem to slowly and continually diverge. I caught these guys live for their Lateralus tour and it still stands as one of my most favorite live shows of all time. To fully appreciate their talent, I firmly believe they need to be experienced live.
Favorite Song: Forty-six & 2
Essential Albums: Opiate, Undertow, Aenima
#7. MASTODON: Mastodon is a band that has evolved from their southern thrash metal roots into a slightly progressive, melodic yet still very thrashy metal band. When I first started listening to Mastodon, I didn't know if they were a band for my tastes. However, it didn't take too long for me to assimilate to their sound and with each subsequent release, they get better and better. Not only do they crank out some great studio albums, but they are a great band to see live. I've seen them play twice, and each time was pretty damn special.
Favorite Song: Blood and Thunder
Essential Albums: Crack the Skye, Leviathan, Blood Mountain
#6. FAITH NO MORE: If ever there was an acquired taste in the world of rock n' roll, it has to be Faith No More. I bought their third studio album, The Real Thing when I was eight or nine years old; Basing the purchase off their two highly accessible hit videos for Epic and Falling to Pieces which got steady air time on MTV. Boy was I in a surprise when I listened to the rest of that tape and heard songs like Surprise! You're Dead!, Woodpecker from Mars, and the lounge-y Edge of the World. It took me probably a full ten years to fully appreciate that album, and get to a point where I could listen to more of their catalog, of which each offering is as different from the last in a multitude of ways.
To love Faith No More, you have to appreciate that fact that this band should probably never have come together in the first place. They are one strange conglomeration of talent. They've got Mike Patton, possibly the most talented singer in all of the music industry...his range, and voice capabilities are one in a trillion, yet his musical tastes and areas where he wants to focus that talent is totally scatter-shot. Then you've got Mike Bordin, a guy who went on to drum for the likes of Ozzy, and Jim Martin who wishes he could get the chance to play for Ozzy, but never really got much of a chance to show off his Tony Iommi-like skills in FNM. Add in Roddy Bottum and Billy Gould who can tear it up on their respective instruments and you've got one talented line-up. It is a small miracle that this odd grouping managed to put together some of my favorite music.
Favorite Song: Caffeine
Essential Albums: The Real Thing, Angel Dust, Album of the Year
#5. PINK FLOYD: Simply put, Pink Floyd makes beautiful, sublime music. I never really got into their early stuff from the Syd Barrett era, or any of their other pre-70's stuff for that matter, and as for their output after The Wall, well, that's sorta like leaving Gimli out of the Fellowship.
That said, the 70's were a great decade for Pink Floyd and they made some wonderful music. Not only is their stuff entertaining, but it makes me think, which can be a rare thing in music. Believe it or not, I've been through some dark times in my day, and Pink Floyd was essential to the healing process. The Dark Side of the Moon is probably my most listened to album after Megadeth's Countdown to Extinction.
What makes this band great is that their music still sounds unique and fresh some 40 years after the fact.
Favorite Song: Comfortably Numb
Essential Albums: The Dark Side of the Moon, Meddle, The Wall
#4. PORCUPINE TREE: Out of all the bands in my top 10, Porcupine Tree is the band I'm the most new to. When I heard that the guy who produced some of Opeth's albums had a band of his own, I had to see what they were all about. The first song I heard from the first album I listened to (Blackest Eyes), made me an instant fan.
Sometimes melodic, sometimes proggy, sometimes heavy, sometimes quiet, Porcupine Tree is a band that will astound the listener with their versatility. Like Pink Floyd, their music can make you think, and often times has a message. Another band that seems to evolve and get better with each new album.
Favorite Song: Lazarus
Essential Albums: In Absentia, Deadwing, Fear of a Blank Planet
#3. BLACK SABBATH: All hail the elder God's of metal. Where would I be without Black Sabbath? Hard to say. They say Kieth Richards wrote every guitar riff known to man, but I think Tony Iommi deserves some credit for writing some incredibly awesome ones too. He also originated the heavy metal gallop, which became a signature part of Sabbath's sound.
I don't just love Black Sabbath for the fact that they were the first ever metal band, I love them because their music is, as Oprah would say: amaaaaaaaaazing. It's been 41 years since the release of their first album, and that album is still far superior to most of what passes as metal music these days. I know songs like Iron Man, and Paranoid get a lot of radio play, but the best Sabbath tunes are the ones that don't often see the light of day. I could get by without ever hearing Iron Man again, but so much of their remaining output is essential listening and gets steady play in my stereo.
Favorite Song: Black Sabbath
Essential Albums: Black Sabbath, Master of Reality, Black Sabbath Vol. 4
#2. MEGADETH: For years and years (age 10-24) I considered Megadeth my favorite band, but their drop-off in quality and the fact that they haven't released an album I want to listen to since 1997 has caused them to slip down a notch on the list. Truth be told, my love for Megadeth is mostly refined to a specific lineup...What I like to refer to as the Glory Years lineup of Dave Mustaine, Dave Ellefson, Marty Friedman and Nick Menza. During those years they released three of my all time favorite albums, and one pretty solid album (Cryptic Writings).
Not only does Megadeth score points for making some of my most loved music, but they also score some great nostalgia points. When I listen to Symphony of Destruction I can't help but think of being 11 years old, head banging and air guitaring with my brother in his room while we blasted said song through his boombox. Not to mention the thousands of other great times I can associate with this band. Simply put, ever since I've loved music, I've loved Megadeth. They've almost always been a part of my life, and I can't see that changing anytime soon.
Favorite Song: Symphony of Destruction
Essential Albums: Rust in Peace, Countdown to Extinction, Youthanasia
#1. OPETH: Yeah, not such a huge surprise here, but they really do deserve the top spot.
A few years back, myself, my brother, and a few other friends would get together for what we liked to call "Metal Night". A gathering that consisted of drinking beer, listening to metal, burning albums for each other, and watching some sort of metal film; Either a documentary, or a collection of videos, or recorded live performances. It was on one such Metal Night where I first heard Opeth, (The Song, Black Rose Immortal to be precise), and my mind was blown. I had never heard such exhilarating, heavy music that still managed to have form and melody. The next day I went out and bought two of their albums.
Though their sound, and my tastes seem to be on slightly divergent paths at the moment, Opeth nails down the top spot for the fact that they still make music I want to hear, and for that fact that they make the most amazing music I've ever heard in my life.
Favorite Song: Black Rose Immortal
Essential Albums: Morningrise, Blackwater Park, Deliverance
Showing posts with label Tool. Show all posts
Showing posts with label Tool. Show all posts
Sunday, November 13, 2011
Sunday, May 15, 2011
Open Up Your 3rdI: Tool
Welcome to Battle Hymns in Drop D. This is the first of hopefully many posts dedicated to all things music. I wanna introduce you all to 3rdI, a man who shares a taste for great fantasy novels and more importantly, awesome music. Being the all around solid dude that he is, 3rdI was kind enough to offer up his musical knowledge for the betterment of Battle Hymns in the form of some posts dedicated to bands we both love. Periodically we will be posting about bands that we think have pushed the boundaries of music. Some of these bands you might be familiar with. Others you probably have never heard of. What is common amongst each band is the quality of the music. We hope you enjoy this new addition to the Hymns. Check back often and keep rocking!
This first post is about the band Tool. In 1992, Tool released their first EP, entitled Opiate. The original line up consisted of Adam Jones (Guitar), Paul D’Amour (Bass), Danny Carey (Drums) and Maynard James Keenan (Vocals). Opiate is a raw, angry album. The compositions are fairly short and straight forward. Keenan’s powerful vocals mixed with Adam Jones crunching riffs, Danny Carey’s precise drumming, and Paul D’Amour’s powerful bass lines combined to produce a sonic thunderstorm that hinted at greater things to come.
The band gained momentum and in 1993 released their first full-length album, Undertow. Undertow shares some similarities with Opiate in that it is also a very raw, powerful album. The compositions however are longer and more mature as the band began to evolve and grow as musicians. The song Sober catapulted the band into commercial success. Sober encapsulates the feel of the album; a powerful, thunderous song that showcases the bands musical talent and complex subject matter. Nothing else on the radio sounded like it. Tool achieved something rare in music, particularly so early in their career, by creating their own signature sound. When I first heard Sober it did not remind me of anything. It sounded new and immediately caught my attention. With that first famous bass line Tool created a sound that would become a cornerstone of modern progressive rock music.
In 1995 the band underwent their only lineup change. Paul D’Amour left the band and was replaced by bassist Justin Chancellor. A year later saw the release of Tool’s second album, Ænima. Ænima is a masterpiece and is one of the most important rock albums ever released. The first single, Stinkfist, is a stunning piece of music. It was also extremely controversial. MTV renamed the song Track 1 and censored some of the lyrical content. Ænima is a complete album in every sense of the word. While the album does not center around one theme it is very much in the tradition of a Pink Floyd or King Crimson style album where every song is absolutely vital to the album. It is a complex, meandering voyage combining heavy riffs and intricate drumming with ambient interludes and sonic exploration. The album ends with 13+ minute mind fuck that is the song Third Eye and is without question one of the bands greatest compositions.
The band became embroiled in long legal fight with their label that lasted over two years. Finally resolved in 1998 the band soon began work on their next album. In 2000, Tool released Salival. The album includes live songs and some fantastic covers including the cover of Led Zeppelin’s epic song , No Quarter.
In 2001 the bands long awaited third full-length album, entitled Lateralus, was released. Tool had once again pushed the boundaries of rock music by creating a truly remarkable work of art. Lateralus is one of the most complex pieces of rock music ever created. It combines complex time signatures, mind-bending polyrhythms, precise control, and artistic vision to create beauty in chaos. It pounds along with breakneck speed only to abruptly stop and wander off into ambient soundscapes. Most of the songs clock in at over 7 minutes. Schism, at 6 minutes 47 seconds, became an instant classic and received heavy play on many radio stations. On this album Danny Carey firmly cemented his place amongst the pantheon of all-time great drummers. His drumming on Lateralus is the finest drumming I have ever had the pleasure of listening to.
True to form it was another 5 years before the next Tool album was released. 10,000 Days, the band’s fourth full-length album, was released in April of 2006. It is the bands most musically complex work to date. The album debuted at number one and the first single, Vicarious, received heavy rotation around the country. 10,000 Days saw the band yet again reach new artistic heights. It features songs like Wings for Marie, (Wings for Marie, Pt1 and 10,000, Wings Pt2), Lost Keys/Rosetta Stoned, and Jambi which contain fascinating time changes, complex polyrhythms and intricate chord progressions. Again most of the songs on the album are well over 7 minutes long with Wings for Marie clocking in at 17 minutes 24 seconds. The album title 10,000 Days is a reference to Maynard’s mother, Judith Marie, who suffered an aneurysm which left her paralyzed for the last 27 years (10,000 Days) of her life. The Song Wings for Marie is an intensely personal tribute to Maynard’s mother. It is a remarkably complex piece of music that resonates deeply with anyone who has ever lost a loved one.
Tool are currently working on their fifth album and have stated they hope to have the album out by the end of the year. I speak for the entire Tool community when I say that we cannot wait. Tool is the very best band that many of your friends know nothing about. Millions and Millions of records sold worldwide with very little radio/video support when compared to other popular rock bands. Tool has pushed the envelope of what is possible and has influenced many current bands. After 20 years they are still going strong. Spiral Out.
3rdI
Tuesday, March 9, 2010
Battle Hymns Classics: Opiate

My Brother and I have long had the belief that Tool's first album, considered an EP, is the ultimate work-out album. Coming in at just about thirty minutes, it truly is an exceptional work-out companion. Not only does it start out somewhat slow - the warm up, then build in intensity, but it also mellows out a bit at the end for the cool down portion of your work out. Maybe Tool isn't the work out companion for everyone, but before you queue up Coldplay or some shit for your next work-out take this into consideration: This shit will fire you up. This is by far Tool's most intense, pulse pounding album. How intense? I'm talking John McClane versus Hans Gruber in the Nakatomi Plaza on Christmas Eve INTENSE! If this album does not get you fired up for a work out, then you probably don't listen to enough metal.
Even though Tool has a bunch of other great albums Opiate is by far my favorite. Early Tool holds a special place in my heart. I've never really been able to put my finger on why this album is a favorite...their later stuff is certainly more technically skillful, and their song writing has only gotten better through the years, but Opiate has a compact heaviness that sets it apart. All the songs are fairly brief, aside from the title track which is over eight minutes, but each song packs a solid punch. Even though this wasn't the first Tool album I heard, I wasn't a Tool fan until I heard this album.
While every song is essential and awesome, Cold and Ugly and Jerk-Off are my favorites...I've always wondered: who is that "Bob Marley-wannabe-mother-fucker"? I've heard contrary, yet believable tales that it is Zac De La Rocha from Rage Against the Machine, and also that it is King Buzzo from The Melvins...perhaps the world will never know. Either way these two songs are great. The fact that they are played live, in the band's second ever live performance, show's how skilled Tool is. They sound fantastic on these live tracks, and while many singers sound less than great outside of the studio, Maynard James Keenan's voice sounds absolutely fantastic.
Opiate is a must-own for all metal fans. And non-metal fans as well...(I know a few Tool fans who aren't into metal). If you haven't heard this album yet, I suggest you set aside thirty minutes, or dedicate your next work-out to this album. It is sure to rock you.
Enjoy the Cold and Ugly video...the camera work is less than stellar, but the sound quality is pretty good.
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