Battle Hymns: Can you tell us a little about yourself?
Michael J. Sullivan: Sure, I’m a fiercely independent person, who
REALLY hates being told what to do. If left to my own devices, I can be very
creative and productive. However, if I have someone telling me what to do, or
how to do it, I can barely perform. As such, I don’t do well in a
traditional work environment, and it’s best for all involved to keep me
isolated and writing stories.
BH: Your path from writing the books contained in
Theft of Swords to publication was quite an experience. Can you tell us
about that epic journey?
MJS: Years ago, decades in fact, I used to write
with the intention of publication. I created twelve novels in ten years all of
which went nowhere. Frustrated, I finally quit (and dramatically vowing never
to write creatively again). After a decade on hiatus, the itch to write couldn't be contained. My daughter was struggling with reading (she’s
dyslexic), and I decided to write a story just for her, myself, my wife, and a
few friends. I wanted it to be fun and fast-paced, similar to the books I
had grown up with. I had no intention on publishing, as I had already
been convinced that was a colossal waste of time.
Eventually my wife read the books and made it
her mission to “get them out there.” She wrote queries, got hundreds of
rejections, found an agent (but nothing became of it), submitted to a small
press (got accepted), and eventually created her own company to release the
books. Eventually once she had taken them “as far as she thought they
could go,” she, and my foreign rights agent, took the series to New York where
it garnered a much different reception. There were seventeen proposals
sent and seven or eight fantasy imprints expressed an immediate interest.
Orbit made a pre-emptive bid, and since they were already high on my list, I
signed. In addition to the English versions there are translations
completed, or in process, for twelve other languages. So I guess my wife
accomplished what she had set out for.
BH: What aspects of the book, if any, changed from
the independent publication to the publication by Orbit?
MJS: From a story standpoint actually very little
changed between the two versions. By the time Orbit got the books, there
were already 70,000 copies sold, and feedback had indicated that the story was
solid. It was also intricately conceived, so pulling on one thread could
unravel everything. As such, there wasn’t a lot of room for changes.
Still there were a few things adjusted. Most notability I added a new
beginning, which started with our main characters (previously the books had
started with the section directly after that). My editor at Orbit, and
feedback from readers, indicated a desire to meet Royce and Hadrian right away.
Beyond that, there really were just places where I added a bit more
description, or provided clarification, but none of those changes affected the
story as a whole. Of course, there was a full top to bottom
re-editing. Although I had hired many freelancers over the years a book
can always be “further polished” and the team at Orbit did a great job with
that.
BH: Was it a deliberate decision on your part to make each installment in
the series feel self-contained, yet have over-arching plot lines that tie into
a greater narrative?
MJS: Most definitely, and a technique I stole from
some favorite television shows like Babylon 5 and Buffy
the Vampire Slayer. I liked how the creators had ongoing aspects that would
unfold across the season, but each story had its own conflict and
resolution. Truth be told, I thought of the series much like a television
show, but since I didn’t have access to a production company, or an inside
track with television executives, I did what I could, which was write a series
of books. To me Revelations has always been a single tale, but
much too large to tell all in a single volume.
BH: What are the plusses and minuses of working
with a big publisher in comparison to a small, independent publisher?
MJS: Actually all three paths (self, small, big)
have their own plusses and minuses. Small presses take a lot of the work
off your shoulders (copy editing, layout, etc) and are more willing to listen
to and incorporate your ideas on things like titles and covers (for instance
AMI used a cover that I created). The downside though, is they are very
limited with regards to distribution, and many small publishers struggle
financially. My first publisher didn’t have money to print the second
book, and there were times when The Crown Conspiracy showed up
as out of stock because the warehouse wouldn’t ship until their back fees were
paid.
Self-publishing is great because everything is
in your control. You never have to worry about not getting things done
“exactly” the way you want them. But it is also a lot of work.
Whether you do editing and cover design yourself, or have to hire others there
is a lot of time spent on those activities. The plus side there, besides the
total control, is a better chance at substantial income. It’s so much
easier to earn a living when you make 70% of the sale.
Big publishing has tremendous distribution
capabilities, and a team of professionals that really give you enough peace of
mind to know that things will be done “right.” This allows me to concentrate on
other books. The down side comes in the form of revenue sharing and dealing
with infrastructure issues. Publishing has changed a lot but some of the
contracts are still antiquated, so Robin’s time is spent getting clauses
adjusted to a point where I feel comfortable signing. One thing that I think
will need to change in the future is the author’s share on ebooks.
Currently industry standard is for the publisher to get 52.5% and the author to
receive 17.5%. This is one of the reasons that so few traditionally published
authors can earn a living.
BH: Who is your favorite character to write and why?
MJS: My favorite is probably Myron, a monk of
Maribor. He shows up in books one, five, and six. In the first book
he’s a really bookish, gentle soul. He’s been isolated from the world for
so long that he can see beauty and fascination in something as simple as a
cattail. I love his scenes. In one, he is performing a blessing before our main
characters ride out to save the day, and then we discover that he was actually
blessing the horses. That’s so typically Myron, and my favorite scene in the
first book involves him and a “squirrel tree.” Later in the series he comes
back as a much different person, yet still one of my favorites. He has a great
outlook on life, and completely untouchable by any dangers, because he has
found happiness and contentment.
BH: Who is the biggest influence on your work?
MJS: Back in the day, when I was teaching myself
how to write, I would actually dissect how authors wrote their book, trying to
figure out what they did and why. For instance, I loved how Stephen King
developed characters, how Ayn Rand described scenes, how Steinbeck evoked
emotion, and the simplicity of prose in Hemingway’s works. A lot of my
early novels were written using some of those techniques, and in some ways it
was like learning illustration by copying a picture. I personally didn’t
like it very much, because I hadn’t yet discovered my own voice. Being so
clinical about writing had taken a lot of the joy out of it for me.
A decade later, it was when I picked up the
first Harry Potter book that I had an epiphany. THIS was how fun
writing/reading could be. I was transported and found it whimsical, exciting,
touching, and most of all fun. Realizing that I could write something
with no other goal then making a book that I wanted to read really helped me to
discover my own style, and in so doing the joy of writing returned.
BH: What inspired you to become a writer?
MJS: I don’t know if it’s the same for others, but I didn’t “decide”
to become a writer. It’s just what I do. I’ve always told stories, and
for the most part I’m inspired by a lack of something to read. Don’t get me
wrong…there’s a lot of great books out there…more than can be consumed in ten lifetimes,
but it’s hard for me to read others without thinking about how I would do it
differently. That’s not to say that my execution would be better, just
that it would suit my preferences more closely. Writing for me is a way to get
“exactly” what I want.
BH: What’s the best part of your job? What’s the worst part of your job?
MJS: The best part is hearing reactions from people
who love what I’ve created, especially from my wife. There’s nothing better
than hearing her talk about things that she liked in the books. I get the
same satisfaction from readers, through email or in online forums. They usually
say something like, “I don’t mean to bother you…” or “I’m sorry to take up your
time,” and I’m always amazed by this. It’s those letters that fuel me to
write. Coming up with a story is great, but it’s empty and hollow without
sharing it with others.
To be honest, there really isn’t a “worst
part.” I feel like a child who wakes each morning with no other responsibility
than playing their favorite game. I have complete freedom, very little in the
way of pressure, and can set my schedule anyway I wish. There really
isn’t a downside in such an environment, especially since writing is currently
paying my bills. While I would do this if I never made a cent (and in
fact did exactly that for several decades), I’m glad my wife no longer has to
support the household. For years she was our sole income and I really love
giving her what she had given to me. The freedom from getting up each day
and “working for the man.”
BH: For you as a writer and/or
reader, what qualities make for a good read?
MJS: Not too long ago I did an almost clinical
analysis of my favorite books, and came to a realization that they all shared
some common elements. First off, I want characters that I really care
about and would like to have as friends in real life. Second, is a
setting filled with adventure and danger that I would like to experience
myself…I like escapism, to be transported. Most importantly, though is whether
or not I’m entertained. We get so little free time that I want to make the most
of mine. To me that means feeling better after I close the book then before I
opened it.
BH: What is a day in the life of Michael J.
Sullivan like?
MJS: I get up and head out to a local coffee shop. I’ll drink a
cup while reading the paper on my ipad. Then I stop in at the grocery
store to get whatever will be for dinner that evening. I return home and start
my workday by reading a few pages of a really good book. I find it kinds of
primes the pump and gets me into the right frame of mind for writing. I
generally write until lunch, which will usually produce around 2,000
words. Now that Robin is home, we’ll make the lunches leisurely, sometimes talking
about books past or future. In the afternoons I generally do something
physical, bike riding, jogging, taking a walk, or doing a short workout.
I may return to writing, or go online and answer messages and talk to readers
or other writers. The evening meal is spent watching The Daily
Show and The Colbert Report on the DVR (my only real
TV time). It takes much longer than an hour as we are constantly pausing as we
discuss something related or get pulled off on a tangent. In the evenings, I
may write some more, or read, or play a video game. I usually end each night
with a bit of reading before turning in.
BH: Name three things you couldn’t live without.
MJS: Can’t do it…because there’s only one, my wife,
Robin. I’m not sure if it is a blessing or a curse. I guess no matter how
you look at it, we’ve had a good life. We met young (I was 18 she was 17) and
have been joined at the hip through most of our lives (on three occasions
actually sharing the same employer). But we are many would describe as
co-dependent, and I would literally cease to function if she were to
pass. We’re actually hoping to die in some accident that takes us both
out at the same time. If she were to go first, I’m sure I wouldn’t
survive a year, and you wouldn’t want to be around me during those last
months.
BH: Own up to a guilty pleasure.
MJS: You’re actually the second person to ask this,
and I’m just as stumped this time around. I can’t figure out why if
something brings you pleasure there should be any sense of remorse associated
with it. In general people consider guilty pleasures things that they would be
embarrassed by, but I say if it brings joy, that’s a good thing. When my
wife bikes, she cranks on music and sings (very off key) at the top of her
lungs. Joggers she passes shake their heads and smile. Most
probably think she’s a loon. I feel that sometimes we constrain that which
brings us pleasure because we are afraid how others will perceive us.
This is not a problem that children, and some with developmental disabilities,
suffer from. They just do what feels good, and could care less what people
think. I wish more people of all ages and capabilities did similarly.
BH: What music are you listening to these days?
MJS: I’m always on the prowl for new music, and my
search is aided often by my daughter who seems to find some really cool stuff.
Some recent additions are: Fun, The Piano Guys, and The Flight of the
Conchords.
BH: What’s your all-time favorite album/record/CD?
MJS: Hard to choose but probably Paul Simon’s
Graceland. At the time I hadn’t heard any music that infused other
cultural influences so strongly and it opened up a whole new area of things to
explore. Plus it has some of the most entertaining lyrics I’ve ever
heard. It’s brilliant.
BH: What was the last concert you went to?
MJS: In the summers the National Gallery of Art
puts on concerts on the National Mall in the Sculpture Garden. We go most
Fridays if we are in town. It’s a great time. We bring a blanket, some snacks
(cheese, fruit, crackers) and usually get a pitcher or two of Sangria that they
sell there, which is pretty good. I have a lot of friends that know I’ll
be there so people just show up. You never know who will come until it happens,
but it’s always a good time.
BH: Are you a comics reader? If so, what’s
something you read recently that you enjoyed? Who’s an artist you love?
MJS: No I’m not a big comics reader, but I do have
an artist that I absolutely love…my daughter. She has a comic, Ugly
Vampire that she does free online. It’s about Jerry, a not-too-bright
guy who is a bit of a loser and decides to become by a vampire so he can be
beautiful, immortal, and cool. Problem is after he’s bitten, he’s still
the same old ugly, fat guy…and will be forever. She’s also helped me with
a project called, Plotholes, where we poke
fun at fantasy writing and publishing. She’s even had done a comic with Royce and Hadrian (my
two main leads) which is pretty funny. I’m thinking about having her and
a friend do a comic version of The Viscount and the Witch, a short
story I wrote a while back. I hope she takes me up on it.
BH: What book or books have you read lately that
you thought were especially good?
MJS: I’ve been very impressed with Anthony Ryan’s
Bloodsong. There are a lot of similarities between us. He’s a self-published
author, who has now signed on with ACE. It’s not without its flaws, but
what he does right far outweighs any nits of criticism. Few new writers have
the patience to let the story unfold slowly and naturally. He has
mastered that art of restraint, and knows how to pull the reader along a bit at
a time. I except to be seeing a lot more from him in the future. I
recommend picking his book up now while it’s just $2.99. You’ll be able
to say you “knew him when.”
BH: If you found yourself in a typical fantasy
setting, what would be your weapon of choice?
MJS: Hmmm….in role-playing games I usually choose
wizards. I think standing in the background while someone else takes the damage
is more to my liking. In general I’m pretty agile, and avoiding attacks would
be my modus operandi. So I guess something small, like a dagger.
BH: What would you like to see change or see more of in the Fantasy genre?
MJS: I actually think right now there is a lot of
diversity in the genre, and that’s a good thing. I’m not really big
on the idea of limiting choices. Just because I may not be drawn to
paranormal romance, or some of the recent dark-and-gritty releases doesn’t mean
that I want to see them gone. The more variety, the more readers, the
more readers, the more authors that can earn a living, so it’s all good.
For me personally, yes I would like to see more books that would excite
me…which means a bit more fun and less dour. But that’s not really such a big
issue as I’m in a position to write that type of stuff to entertain myself.
BH: What does the future hold for you? Any new projects you can spill
some beans on?
MJS: Just recently Orbit announced that I’ll have a
new series coming out in August 2013, The Riyria Chronicles. This
is a prequel that tells “the other side” of The Riyria Revelations. In Revelations we
see how the team known as Riyria ends, and inChronicles we see how
it all begins. I’ve finished two books in that series, The Crown
Tower and The Rose and the Thorn.Whether there will be any
more after that will depend on the readers. I don’t want Royce and
Hadrian to overstay their welcome, and while I do have ideas for more Chronicle
tales, I’m not going to write them if there is no interest.
I’ve also written an urban fantasy called Antithesis,
which is currently being reviewed by Orbit. If they decide to pass, I’ll
likely self-publish it. This is a story of two opposing individuals who each
wield magical power limited only by their imagination. They keep the world in
balance. Usually the power is passed down to someone who has been trained
to receive it. But in this story, an untimely death has it passing to an
innocent bystander. Not only does this person not understand the
responsibilities of this power, but they also aren’t aware that they are being
hunted by the other party.
I’m about fifty percent done with Hollow
World. A science fiction novel that wasn’t even on my radar to write, but I
got inspiration from a little short story I created called Greener
Grass. Originally it was for an anthology, but it didn’t fit the theme as
well as I had wanted, so I released that as a little self-published
short. The concept is based loosely on John Lennon’s song
“Imagine.” It’s set in a world with no religion, countries, or war…and
explores whether this would be a utopia, or a bland homogenized
existence. I’m not sure how my existing readers will feel about it, but I
LOVE it and my experience has been that if you write something you want to
read, there will be an audience for it somewhere.
Last but not least…I’m going to be about half
a year behind on my next big series. I’ve ben plotting it for several
years now and had intended to start writing it this fall. Hollow
World kind of jumped in front of it, so I won’t start it until early
next year. Like The Riyria Revelations I plan to write all
the books in this series before publishing any of them, so it’s going to take
awhile to produce. That’s why I have these other four stories: The
Crown Tower, The Rose and the Thorn, Antithesis,
and Hollow World queued up. They should give people some
stuff to chew on while I’m off writing this next series.
BH: Is there anything you’d like to say to your
readers and fans?
MJS: As always I want to take this opportunity to
say thanks so much for all your support. It’s the readers that allow me
to live a dream that I didn’t think was possible. In many respects I
think any success my books have is only partially my own. The rest comes from
the readers who recommend them, buy extra copies as gifts, leave reviews, and
help to get the books noticed. I feel like we have a great symbiotic
relationship, and I’m just glad that I don’t have to earn a living at a day
job. They give me plenty of time to work on the books, and I hope to continue
to produce works they enjoy reading.
Oh, and one last thing. Feel free to drop me a
line anytime at Michael.sullivan.dc@gmail.com.
As I’ve said, hearing from people is my real fuel, and getting letters actually
increases my productivity by many factors. So if you want to see me write
faster, then stop by and say hello.
******
Michael, As always, a big thank you to you for taking time out of your busy writing schedule to be part of Battle Hymns. I had a lot of fun, and I hope you did too! Much Appreciated!
4 comments:
Great interview and I am very happy about the Flight of the Conchords reference. Best. Show. Ever. (well, besides AD)
Thanks Bryce! Agreed, Arrested Development is the best show ever.
What a fantastic interview! It was great hearing how publishing the book came to be.
Thanks Anon! I had a great time. Michael was a lot of fun to work with.
Agreed, it was cool to get his perspective on publishing.
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